In
the first of what I hope will be a number of posts on lost heroes of planning
and design, I look at the Hochschule für Gestaltung (HfG) established in the
city of Ulm in the postwar years. The school was the brainchild of Inge Scholl,
a member of the White Rose group, which attempted to deploy peaceful resistance
to the Nazi party. As a result, Scholl’s brother and sister were arrested and
murdered by the Gestapo in 1943.
Lasting
until 1968, the school, during its short lifetime, consistently had to toe the
line between the liberal conceptions of the US occupation and Marshall Plan and
popular leftist politics in Germany of the time. As such, the design output, influenced
at times by Walter Gropius, exemplified simplicity and functionality. The most
visible output was undertaken in commission to large corporations including several
iconic electronic devices for Braun in addition to the famous blue and yellow
Lufthansa crane.
Regardless
of the political maneuvering required to establish its legitimacy, located
within a complex of international style buildings above the ruins of Ulm, the HfG
must surely have been a bright beacon of modernity, civilization and philosophy
after the darkness of the march of Fascism.
This
post after Pavitt, J., (2008). ‘Design and the Democratic Ideal’
In
Crowley, D. & Pavitt, J. (eds.) (2008). Cold
War Modern Design: 1945-1970.
London:
V&A Publishing.
Photo,
“HfGUlmbuilding.jpg” is copyright (c) 2007 modernist design: http://flickr.com/photos/9713498@N08/2055136477
and made available under a Creative
Commons Attribution-Share Alike 2.0 Generic license.
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